by Bill Walsh
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Product Description
Advice on good writing from everybody's favorite editorial curmudgeon Persnickety, cantankerous, opinionated, entertaining, hilarious, wise...these are a few of the adjectives reviewers used to describe good-writing maven Bill Walsh's previous book, Lapsing Into a Comma. Now, picking up where he left off in Lapsing, Walsh addresses the dozen or so biggest issues that every writer or editor must master. He also offers a trunkload of good advice on the many little things that add up to good writing. Featuring all the elements that made Lapsing such a fun read, including Walsh's trademark acerbic wit and fascinating digressions on language and its discontents, The Elephants of Style provides: - Tips on how to tame the "elephants of style"--the most important, frequently confused elements of good writing
- More of Walsh's popular "Curmudgeon's Stylebook"--includes entries such as Snarky Specificity, Metaphors, Near and Far, Actually is the New Like, and other uses and misuses of language
- Expert advice for writers and editors on how to work together for best results
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Average Customer Review:
7 of 8 people found the following review helpful:
Grammar with a funny bone, 2006-03-11
Almost nothing is as boring as learning the rules of grammar.
The Elephants of Style, however, makes the subject humorous and easier to both read and learn about. The author uses great(and often funny ) examples to teach students about everything from parts of speech to plagarism. I would recommend this book to college freshman, English teachers, or anyone struggling with grammar.
Of course, grammar may never lose the title of "boringest of them all," but at least there is a little humor at the end of the tunnel.
42 of 67 people found the following review helpful:
 Always Useful, Sometimes Funny, 2004-08-01
By Bill Marsano. What a jolly season for word-lovers this is, what with Lynn Truss's "Eats, Shoots, and Leaves" and this book by Bill Walsh coming along neck-and-neck and cheek-by-jowl. Walsh, who is the copy chief of the Washington Post, has written a far broader work than Truss's, with punctuation just one of the things covered (and usually very well covered). There's also grammar here and more important there is style.
The author of such a book sets himself up, always. Many readers will assume or claim that he's preaching perfection and will therefore fall upon tiny errors yelling nyah-nyah in spiteful disvalidation of his whole work, of his very right to speak at all. Sorry but, admirable as it may be, prefection eludes and always will (Lynn Truss's first error is in her subtitle!). Mark Twain said, of perfection in English grammar, "the thing just can't be done." So let's be willing to give a little, and even accept the odd contradiction.
That done, we find a pretty useful guide. It's mostly newspaper-oriented, but it's still a help to the ordinary writer and ordinary person struggling to commit a sentence and finding between the opening capital and the closing period a morass of weird plurals, nightmare collectives, number-of-the-verb, stylistic conventions, punctuational deadfalls and a lot of other horrors that make not ending with a preposition a treat (which taboo is, by the way, nonsense, as Walsh neatly explains). Walsh deals with most problems briskly and helpfully, and if you keep this book ever close to your heart it won't be long before you can toss off elegant vanity plates, bumperstickers and ransom notes without so much as a by-your-leave. And you will begin to enjoy doing so, because you won't be scared out of your wits half the time. (Most people dread writing as they dread public speaking.)
I am generally dubious of copy editors; I consider them a species of vermin that should be hunted for sport. But I will go a long way with Walsh because he clearly thinks about the language and tries to make intelligent, workable decisions that help reader and writer alike. (Most copy editors simply trot out their pet peeves and hobby-horses, salt with ignorance and prejudice, and then damage the writer's copy, the hideous effects invisible until the crime appears in print.)
I will unyieldingly dispute with him on two points, however. First, (free-lance) writers should absolutely not waste any time studying client magazines to learn their style. Magazines routinely pay writers poorly and abuse them in general; if they want their stylebooks followed, let the editors do some work for a change. (Editors don't have jobs. They have lunch.) Second, what's this foolishness about a ship being referred to as "it"?
That's an example of what offends me most about copy editors: their char-woman's mentality. Always trying to neaten up; emptying the ashtray every time the ash hits the glass; making you move so they can plump up the pillows. Busy, busy, busy! The net result of all this is damage to a language of which varioty is its chiefest glory. Referring to ships as feminine is a tradition many centuries old: it goes back to the Romans; it is established and understood; it is not to be dismissed by some petty tyrant with an itchy pencil. Maybe it's a question of political correctness. Maybe someone is pained because it excludes an entire sex (the male, I believe). Frankly I'm disinclined to believe that this will cause little boys everywhere to be discouranged from becoming ocean liners, but copy editors might very well fall for that.--Bill Marsano is a professional writer and editor.
16 of 22 people found the following review helpful:
The next Bill Safire?, 2004-04-29
Visiting the front lines of the grammar and usage wars with Bill Walsh is a pleasure for writers and readers alike. Like his previous work, Lapsing Into a Comma, this entertaining and enlightening book shows Walsh has got a great ear and a great sense of humor.
46 of 51 people found the following review helpful:
Who left me out of the �Grammar can now be amusing� loop ?!, 2004-03-28
I found myself laughing out loud as I read Bill Walsh's "The Elephant's of Style."Reminiscent of "Woe is I" this title actually entertains as it enlightens. Some of Walsh's best lines were "Split infinitives are the chicken cacciatore of the English Language" and "Who died and left me in charge of the English language?" I want to know where Bill Walsh was when I was being drilled in grammar back in school! First they started teaching kids phonics and blends using fun songs and hand motions and now this?! I missed out on all the fun! I especially enjoyed the section entitled "The Lies Your English Teacher Told You: Big Myths of English Usage" (I actually wiped my brow at one point in that chapter.) His appendix, "The Curmudgeon's Stylebook" is a valuable addition as well. Wonderful stuff, easy to remember and apply.... Excellent for those who got stuck in the "grammar rules" and "strict critiques" from the past.... Free up the negative through process and just get through to the mechanics in this user friendly guide. The index will take you straight to your area of interest and then read the rest just `cause its so darn fun...... oh, I wonder if it's against the rules to insert periods in a row like that? Better refer to my copy of "Elephants of Style" now.....
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