by Nien Cheng
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Product Description
Here is the haunting, inspirational account of Nien Cheng's six-and-a-half years as a political prisoner during Communist China's Cultural Revolution. "A moving affirmation of the capacity for human endurance."--Los Angeles Times.
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Average Customer Review:
0 of 0 people found the following review helpful:
 Personal account of the horrors of communism, 2008-09-06
Nien Cheng is quite the lady with some experience to tell. Growing up in China as part of the wealthy class, her life changed all of a sudden as the Great Cultural Revolution came down her street.... It's a chilling story of a mob mentality that pretends to "purify" society of evils of the day. It's a sobering story that unveils and condemns the horrors of communism. Required read.
1 of 1 people found the following review helpful:
One tough cookie!, 2008-06-23
Nein Cheng lived a comfortable middle class existance...in Shanghai during the height of the Cultural Revolution. Big mistake. Her comfortable lifestyle and connections to the West (via Shell Oil, her former employer) make her a target of the Red Brigade. Imagine if you will, waking up one morning to find a bunch of politically jacked up teenagers suddenly given the freedom to ransack your home, determine whether or not you are a danger to society, and beat you, arrest you, humiliate you and arrest you. Ms. Cheng is imprisoned and everything she has is taken away...rare works of art, priceless porcelains. This irreplacable beauty is, for the most part, destroyed by the loutish thugs -- the 14 and 15 year olds who ran amok, brandishing their political clout -- who made up the bulk of the Mao Cult that was the Red Brigade. Cheng is arrested and sent to a hellacious prison. Beaten, starved, subjected to brutal interrogation, Chen is indomitable. She does not confess, she does not kowtow, she sticks to her guns and even dares to lecture her captors and, in the process, drive them crazy. She lives this nightmare year after year, never budging from her declaration of innocence, never seeing or hearing from her beloved daughter. But no matter what they do to her, Cheng does not give in. Give in? She doesn't give an inch. We learn, though her, fascinating lessons in the political subtlties that fomented chaos and laws during this period. Through hints and reading between the lines of the official propoganda that the prisoners were forced to listen to, she pieces together much of the political climate and events. Her tenacity, stubborn contrariness and refusal to make any concessions to her captors is inspirational, astounding and, frankly, almost unbelievable. Even when the political climate changes and she is given her release, she insists that the prison "confess" its error. This is not a lady to trifle with. Upon her release, she immediately begins to search for her daughter, and for the restoration of whatever of her property has survived the Red Guard. The second half of the book -- Ms. Cheng's "rehabilitation" is as compelling as the first part. It's a book that is impossible to put down and certainly the best of a spate of first-hand accounts of this horrible "Through the Looking Glass" period of China's history. Nien Cheng is one hell of a tough lady, her book is moving, thought-provoking and compelling.
19 of 29 people found the following review helpful:
Outstanding, 2008-04-22
Nien Chang's account of her encounter with the Cultural Revolution is the best book of this kind that I recall. Many others have written about their experiences, some in memoir form, others in fictionalized form. NC's is the most accessible to the Western reader, she can relate to our expectations better than some of the others, and she writes more specifically for a Western audience. Her personal background made that easier for her than for many others, she had this working history with a large foreign corporation (no product placements in my reviews!).
The sad fact is that the subject interests non-Chinese or 'Overseas Chinese' substantially more than the population of the People's Republic. Books like NC's are often talked down because they are successfull in the West. That fact seems to be a negative mark. This applies also to Jun Chang's Wild Swans, while her later bio of the great helmsman is taboo.
The desire to forget about the past is so overwhelming, that many shut their eyes and minds to the recent past. (Actually not that recent any more.) With this strong wish to close the chapter, and in a situation of overwhelming success and progress for the country as a whole, the ruling elites find it very easy to put the Cultural Revolution into a kind of frozen state of taboo: it is not denied, but it is not visited with the purpose of understanding and digesting it. The man who provoked it is sacrosanct, he can not be touched by criticism. The negative things are assigned to others, like the Gang of Four.
(Who was it who wrote here recently that history does not change?)
0 of 0 people found the following review helpful:
Focused Look at Detainment in Cultural Revolution, 2008-04-10
This book is a good Focused Look at Detainment in Cultural Revolution. Most of the book is told while she is in a detainment camp (not prison, she never actually was sentenced to anything). Basically, all her problems were owing to the leftists in the communist party lead by Jiang Qin and the gang of four, who wanted to elicit a confession from her that she was a spy, which in turn would have to the downfall of several of their political opponents (zhou enlai if i am not mistaken). I most admire her persistence in never admitting fault even after 6 years and some mild torture. It reminds me a lot of Joseph Smith who persisted in claiming that he had spoken with God in person, even when many many people called him a liar or a false prophet. I have always admired those who are true to themselves and don't give into the social pressure to change just because they face persecution.
2 of 2 people found the following review helpful:
Essential reading . . .along with others, 2008-03-06
Nien Cheng's admirable book, with its lucid and objective account of her dreadful ordeal during the Cultural Revolution, deserves to be widely read. This brutal and destructive period of Chinese history began more than forty years ago, but many of its tormenters and their victims are still alive; people like the "militant female guard," who makes Cheng's life so miserable, must be senior citizens today, watching, or even participating in, the victory of the "capitalist-roaders." Other readers have already bestowed every form of praise on "Life and Death in Shanghai," so I'll merely offer this additional insight. To more fully understand the scope of the Cultural Revolution, I think it's useful to read other accounts of it as well. Cheng's account is from the perspective of a well-born, highly educated, affluent woman, one who chose, with her husband, to return to Shanghai in 1949 because they felt that the Communists had the capacity to reform and restructure Chinese society. In short, they were patriots. An interesting and very different perspective is presented in Anchee Min's "Red Azalea," as it is the account of a young woman whose family has little money and no connections. As a result, she is buffeted by forces she often cannot control, and she grasps at opportunities for release from the collective farm and for an education as if she were being swept down a powerful river, occasionally grasping at a branch that pulls her out of the current. Then there is Jung Chang's "Wild Swans," which is quite different. To my mind, the most interesting story in her memoir is that of her parents, true believers in the communist revolution. Their gradual fall and bitter disillusionment is the central story of "Wild Swans." Read "Life and Death in Shanghai," then read the others, and you'll gain a complex and complicated picture of life during the Cultural Revolution.
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