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Designing Type

by Karen Cheng

List Price:$32.00
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Editorial Reviews
Product Description
As one of a graphic designer’s most essential tools, typefaces influence the appearance of visual print materials perhaps more than any other component. This essential book explains the processes behind creating and designing type. Author Karen Cheng discusses issues of structure, optical compensation, and legibility, with special emphasis given to the often overlooked relationships between letters and shapes in a font.
The book is illustrated with numerous diagrams that demonstrate visual principles and letter construction, ranging from informal progress sketches to final type designs and diagrams. A wide range of classic and modern typefaces is analyzed, including those from many premier contemporary type foundaries. Introductory essays and diagrams emphasize the history of type, the primary systems of typeface classification, the two main proportional systems for type, the parts of a letter, the effects of new technology on design methodology, the optical illusions that affect density and balance in letterforms, and the differences in form between basic serif typestyles. The book provides detailed guidelines for creating serif and sans serif letters, numbers, punctuation, and accents.  
As design clients increasingly call for original and custom typefaces, Designing Type is a superb reference for both students and professional graphic designers.



All Customer Reviews
Average Customer Review:5 out of 5 stars
0 of 0 people found the following review helpful:

5 out of 5 starsDesigning Type , 2008-04-07
Este livro é muito importante para aqueles que estão se aventurando pelo universo da tipografia.


1 of 1 people found the following review helpful:

5 out of 5 starsBeautiful obsessive minutia, 2008-02-27
For either those that have been loving typography for many years, or those that just recently have fallen infatuated. This exhaustive documentation of type-crafting minutiae is a MUST-have for reference and obsessive appreciation of classic forms and details.

Karen's careful eye will help you dissect all the classics... Perhaps even discover missed aspects of a much-visited serif, perhaps finally understanding the commonality of a specific "m" proportion, perhaps understand the evolution of "g"...

Many hours of delight await for you within its pages. Get it.
You posted this review 5 days ago.


1 of 1 people found the following review helpful:

5 out of 5 starsOutstanding Resource for Anyone Who Works With Type, 2007-12-28
Anyone who is serious about Design and Typography will appreciate this book. It is a perfect compliment to Bringhurst's "Elements of Typographic Style." What Bringhurst does for typographic composition Cheng does for letter-form design. More imagery than text, she presents a deep exploration and comparison of typographic forms from the major historic periods. Whether you are interested in composing your own typeface or simply seeking deeper understanding of typography, this is an outstanding reference. This one should be on every designer's bookshelf. - db


2 of 2 people found the following review helpful:

5 out of 5 starsA Classic Text on Type Design, 2007-10-02
Absolutely a must have for aspiring and junior typeface or logo designers. However, the book is not an easy read; it should be read cover to cover with patience before being used as a workbook reference. Its text requires a sound prior knowledge of typography and related technologies. And it must be read in tandem with close observation of the numerous illustrations and diagrams to be fully understood and appreciated. The information shared by the author is not available elsewhere unless one attends graduate school in type design or apprentices to a type designer. I had completed my first roman & small cap font before I acquired this book and hadn't started my companion italic yet. And though the author doesn't cover italic type design her thoroughness in her analytical and comparative approach is such that I have the book open like a workbook for every italic character and am redrawing some of my romans. I've been teaching graphic design for 30 years and though so much has changed the fundamental and essential have not though they have evolved. This book will become a classic for serious professionals because of the level of insight that it gives into the essentials of type design.


6 of 6 people found the following review helpful:

5 out of 5 starsone of a kind?, 2006-09-15
Most typography books I've seen are showcases of designers and their client projects. These books may have their place for readers who are seeking inspiration and brief but helpful tips for project management. However, none of these books discuss the actual nuts and bolts of creating fonts. Cheng's book fills this gap by focusing only on typographic design, and does so in such a highly informative way that anyone who designs fonts cannot afford to be without it. Not only are all the individual aspects of type examined, but different fonts are compared and contrasted to reveal their sometimes very subtle differences. Cheng showcases many examples of her own students' work as well so the reader can see creative applications of typographical principles. A brief but highly valuable section on punctuation is also included. The only caveat I have to offer potential readers is that this book does not cover cursive fonts, which makes sense and isn't worth deducting a star for. In all, this book is the one you need if you want to make your own fonts. Amazon currently only has it available through third party sellers so get it while you still can!




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