by Will Eisner
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Product Description
A classic drawing textbook from an American comics pioneer, revised and enhanced for a new generation.
Based on Will Eisner's legendary course at New York's School of Visual Arts, this guide has inspired generations of artists, students, teachers, and fans. Graphic Storytelling and Visual Narrative teaches how to control a story effectively using a broad array of techniques. With examples from Eisner's own catalog and such masters as H. Foster, R. Crumb, Art Spiegelman, Milton Caniff, Al Capp, and George Herriman, this book distills the art of graphic storytelling into principles that every comic artist, writer, and filmmaker should know. 2-color art and text.
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Average Customer Review:
0 of 0 people found the following review helpful:
An excellent reference for comic book artists!, 2008-11-02
great reference book. love it for it's content. don't expect to get through it in a day or two, though. it's definately a text book written for teaching. chock full of awesome illustrations and clear, easy to grasp content.
0 of 0 people found the following review helpful:
Mater Piece, 2008-10-15
the title talk itself, Will Eisner is a master, he never enter to the universe of the spandex heroes, if you don't like the espandex, or you try to understand the comics, or not only comics, visual narrative inself, this is your book.
8 of 8 people found the following review helpful:
 4 out of 5, 2007-03-05
First off, Eisner does a great job of combining visual elements with his text in this book. The whole thing is illustrated with cavemen working on their storytelling technique, and I have to admit that the cavemen illustrations were great fun and always helped to clarify the how side of what he was saying in the text. Beautifully done. (Yes, I know, this is like saying, "Hey, y'know that Hemingway guy? Some of his stories were really good.")
Does it have any issues? Yes. It's 164 heavily illustrated pages. You can read it in an afternoon. And some of the illustrative pieces feel over-long for the point they are trying to prove. I hit the point on a couple of them where I found myself saying, "Yes, I get it. We needed the X in the beginning so we would understand Y now. Can we move on?" I also felt that, at 164 pages, he didn't really have the opportunity to go into depth on some areas. There's a point where he provided two bad examples of a comic script... and no good example. Aaaaah!
Even with those issues in mind, I have to give the book 4 caped crime-fighters out of five. It's well-written (though there are also some grammatical gaffs that make me want to scream), it's engaging, and it's instructive. Worth the read.
5 of 6 people found the following review helpful:
Clear instruction, 2006-11-03
Eisner is one of the old pros who helped create the way sequential art is done. This book demonstrates the thinking that goes into producing sequential art, how to pace and create emotions in your audience. A must have for film artists, storyboard artists, comic and graphic novel artists and it opens new ways of thinking for illustrators and painters.
60 of 66 people found the following review helpful:
A Comics Pro Gives It The Thumbs Up, 2003-01-25
As a veteran comic book illustrator (You can find my work here on Amazon.com; I am the CO-creator and artist of Transmetropolitan), I am often asked to recommend books to aspiring professionals in comic book illustration. In that case I always enthusiastically recommend any of Eisner's instructional books as essential reading for anyone serious about their craft and dreams of getting into the industry. From the earliest work of his career, Will Eisner was an innovator in writing as well as illustration. Even in his twilight years the man is still a vigorous and creative artist producing work that pros as well as fans can't wait to get their hands on. These books display his genius in an entertaining and easy to follow method, and if put to practice will inspire and reveal hidden keys to making your work truly professional grade. A great companion book to Eisner's "Comics & Sequential Art". - Darick Roberston
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