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Popular Culture And High Culture: An Analysis And Evaluation Of Taste Revised And Updated, Second Edition

by Herbert Gans

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Editorial Reviews
Product Description
Is NYPD Blue a less valid form of artistic expression than a Shakespearean drama? Who is to judge and by what standards?In this new edition of Herbert Gans’s brilliantly conceived and clearly argued landmark work, he builds on his critique of the universality of high cultural standards. While conceding that popular and high culture have converged to some extent over the twenty-five years since he wrote the book, Gans holds that the choices of typical Ivy League graduates, not to mention Ph.D.’s in literature, are still very different from those of high school graduates, as are the movie houses, television channels, museums, and other cultural institutions they frequent.This new edition benefits greatly from Gans’s discussion of the ”politicization” of culture over the last quarter-century. Popular Culture and High Culture is a must read for anyone interested in the vicissitudes of taste in American society.



All Customer Reviews
Average Customer Review:4.5 out of 5 stars
0 of 0 people found the following review helpful:

4 out of 5 starsHighbrow or Lowbrow, its all Good, 2008-05-24
Gans makes the general argument that in a pluralistic, democratic country we all deserve the culture we want whether it be high or low. Some parts of the book are pretty dated, but overall this is an excellent analysis of American cultural stratification and the creators and users of that culture.


9 of 10 people found the following review helpful:

5 out of 5 starsGans and Swirski, 2006-11-18
I dont want to belabour here the greatness of Gans's study: it's an acknowledged classic and needs no further recommendation. But I would like to draw attention to a slightly less known study by Peter Swirski, called "From Lowbrow to Nobrow" (published about a year ago) which in many ways continues the line of inquiry spearheaded by Gans. As a matter of fact, Chapter 2 in "From Lowbrow to Nobrow" leans on Gans's book when it provides a thorough review (and a wonderful debunking) of a multitude of accusations raised against popular culture and popular fiction over the decades. Swirski tends to be more humorous and colloquial, and focuses mainly on literature and film, whereas Gans takes a more "wholistic" and sociological approach to popular culture. Otherwise, it is hard for me to decide which book I learned more from.




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