by Willa Cather
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Product Description
A study in emotional dislocation and renewal--Professor Godfrey St. Peter, a man in his 50's, has achieved what would seem to be remarkable success. When called on to move to a more comfortable home, something in him rebels.
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Average Customer Review:
1 of 2 people found the following review helpful:
 Oddest, Most Wonderful Book I've Read in Years, 2007-12-29
Willa Cather is one of the top five American writers. She gets little notice, it seems, today. I find that very strange, given the feminist movement in America. I've read three of her other books and this is the oddest, and most wonderful, or perhaps I forget how O Pioneers, Death Comes for the Archbishop and My Antonia affected me so greatly.
Nothing seems to happens in her books and yet they blow me away and I remember them always. I do not exaggerate that they haunt me. I know that sounds dramatic, but that is what a good book does.
I struggled with this book. I'd read twenty pages, put it down for weeks, come back and read twenty more pages and then, finally I said I was going to finish it. As I was starting to read the last sixty pages -- it is a short book -- I was thinking to myself: 'I'm sorry I ever started to read this.' I was merely finishing it as a sense of duty. But then, the last thirty-five pages had me by my heart and it 'explained' all that I had plodded through previously.
I don't know if I can recommend this book. I'd fear that it would bore to tears any friend who would read it. But for me, it's effect is monumental --- and it has been a while that I can say that about most books I've read. I suspect that this book does not move younger readers as it does older readers, as it is a summing up of a man's life and how he has lived it. I'm not sure that a person who has not put many years into living would understand Miss Cather's brilliance in how she does this through --ironically--a quite ordinary professor's life.
3 of 3 people found the following review helpful:
 Worth reading but not Cather's best, 2007-05-19
I am a huge Willa Cather fan and have been reading her novels in the order she wrote them. I started "The Professor's House" in eager anticipation, because I just LOVED "A Lost Lady," the book that preceded it.
"The Professor's House" has many, many good elements, but ultimately I was disappointed. The last part of the book was unworthy of what had gone before. In the end, I felt as though I'd invested a lot in the Professor and that that investment had not paid off. I'm glad I read it, but think it's nowhere close to one of Cather's best.
I thought the first two section of the book were excellent. I believed almost everything about the Professor's life and his relationships. My only criticism of the beginning portion of the novel was Cather's superficial and, yes, bigoted attitude toward the Jewish son-in-law, Louie Marsellus. I didn't have a problem accepting Louie as a real person. But Cather could only see him and comment on him as "the other." One of Cather's great strengths is her understanding of how the world looks to the different characters in her novels. She may not agree with who they are and how they act, but she is usually deeply empathetic. Not so with Louie. The fact that he is a Jew is somehow taken as an explanation for everything. Even in 1925, I expect better of a writer of Cather's insight and talent. Interestingly, Louie is ultimately one of the most sympathetic and generous characters in the novel. But Cather writes as though she'd never had a close Jewish friend, or never applied her prodigious imagination to contemplate Louie's psychology and point of view.
Still, even with the problem with Louie, I thought the first book was very good. It was filled with the wonderful writing and the psychological, sociological and philosophical depth that I so admire in Cather.
I also enjoyed the second book, Tom Outland's story. I agree with an earlier reviewer that the section set in Washington, D.C. was particularly good. I was raised in Washington, and my mother's family has lived there since the 1840's. Cather just NAILED the town.
But it all came to a crashing halt in the final section, when we return to the Professor's story. Did Cather lose interest? Did she not know where to go with the Professor? This section was too short and undeveloped. The first two parts of the book deserved a more thorough and satisfying conclusion. I particularly objected to the section about how the Professor had gotten back in touch with the unthinking boy he'd been back in Kansas. Hogwash. Not credible. This guy's an intellectual. He might come to see the limits of what many academics pretentiously call "the life of the mind." But jettison it entirely for some romantic, unreal Tom Sawyer fantasy? I don't think so.
My advice: do read "The Professor's House," but don't make it your first Cather book.
3 of 6 people found the following review helpful:
 A Classic Dud, 2007-03-22
Those expecting something as vivid and moving as "My Antonia" will be sorely disappointed by this book. Ms. Cather was at her worst when she wrote in imitation of earlier lady novelists such as Edith Wharton or Henry James, and the entire first half of this novel concerns the intrigues of a Midwest Brahmin family. During this part there is absolutely no plot, just tedious description and some of the most stilted dialogue ever written. The cardboard characters include the good-natured protagonist, Professor St. James, and his two daughters, one sweet (Cordelia?) and one rapacious (Goneril?). The bad daughter is lolling in luxury due to the avaricious machinations of her husband, who, naturally, is a Jew - a stereotypical Jew, the worst kind.
If that weren't bad enough, when a plot is finally introduced it concerns a preposterous device (or substance) called "the Outland vacuum" which is said to concern bulkheads and be a boon to aviation. It seems as though the novel will now hinge on the moral issue of who is entitled to the rewards for this great discovery (the Outland vacuum may also be a gas), but I suspect that at this point Ms. Cather realized that she had gone in over her head, and the novel comes to a sudden halt. The next page begins a second novel, about as bad as the first but which takes place among cowboys out West who discover a lost Indian city.
Alas, this likewise amounts to little, and we eventually return to the warmhearted professor who comes to the good-ol' American conclusion that being rich and famous is not all it's cracked up to be, and real happiness is found among the plain folk.
Y'know, people, just because something is old and ostensibly literature doesn't mean it's really great. My only worry is that schoolkids will be forced to read this - under the theory that classic fiction is "good" for them - and they will thus be alienated from reading books because they're so dull.
0 of 1 people found the following review helpful:
A most enjoyable reading experience, 2006-08-18
I've been reading some of the Cather books and have enjoyed all of them. The best part of this book is her story within a story technique. Her descriptions of the American southwest are outstanding. This book held my attention, especially as it progressed. It is not as good as "My Antonia", which to me is her all time best, but it is an excellent reading experience.
10 of 16 people found the following review helpful:
I really really really wanted to like this book, 2006-05-01
I read My Antonia and loved it so much that I consider it one of my favorite books. And, that's why I really really really wanted to like this book. But after giving it a chance for about 218 pages, I couldn't bear it any longer.
The problems I have with this book are as follows:
1) I understand the book's plot of the professor trying to find meaning in his life. That's the book I was looking for. The problem is that the Tom Outland character does not get you there and most of the text of the book is on this character.
2) Which brings me to my biggest gripe about this book, and Cather in particular. Cather cannot, to save her life, write a believable male character. Tom Outland is supposed to be an orphaned boy turned cowboy around the turn of the century, but Cather managed to make him out to be so unbelievably feminine that I found myself in wonder at how little she knows about men. She holds Outland out to be the hero of the story, the inspiration behind the Professor's motivation. That's fine, but if I'm supposed to conclude the Professor part of the story, then I have to buy Outland's character and it's just not possible. Here are some examples of Cather not being believable:
a) When she describes Tom Outland's hands through the professor's eyes, she describes them as beautiful and delicate. Worse still, she bothers to describe them in detail. Men don't do that.
b) Around page 218 when she begins Outland's tirade against Blake she makes Outland sound off like a nagging wife about how Blake shouldn't have sold the pottery etc. Men don't argue this way with friends; they don't have hissy fits - they stay quiet!
c) After the argument in (b) above, as Blake leaves the scene, she describes Outland wishing to run after him and hold him in his arms. Men just don't think like that.
d) When Outland is in Washington D.C. trying to get people to take interest in the pottery he discovered, he lets himself get ignored, disrespected, and he waits by tolerantly while being stepped on by people in positions of power. That's not a description of a turn of the century orphaned cowboy; that's a description of a turn of the century well-to-do woman of society - the only world Cather appears to know.
e) Whenever Tom Outland meets other men in his life as a cowboy, they are always really "nice and pleasant". Indeed they are overly accommodating. Huh? I could see cowboys being really respectful and accommodating to a beautiful woman of society (like Cather) but an orphaned cowboy? She just puts too much of herself in this character. I couldn't buy it.
3) Now before reviewers think my gripes are based on some sort of homophobia, let me just say that if it had been a story about men in love with each other, I would have accepted that as at least being believable. But that's not Cather's intention. Outland ends up marrying the professor's daughter. Is Cather trying to send out a bisexual message of some kind? Was the professor gay? The text just does not support any kind of homosexual message either explicitly or implicitly.
4) Cather plays out Outland to be this super human being. Indeed he is the inspiration to the Professor and all the other characters in the book. But if that's the case, why is he on the wrong side of the moral debate on the Dreyfus affair? Cather wrote this book in 1925; twenty five years after all the facts had already come out on that case and yet Cather has Outland take the side of bigots?
5) In Outland's tirade against Blake, Outland chews him out for selling ancient pottery belonging to native Indian tribes. Earlier in the book it's concluded that the tribe was decimated by outsiders. In chastising Blake, Outland declares that Blake was wrong to sell the pottery because it was not his. He says that the pottery belongs to his country, to the State etc. That's the best our hero can do? Wouldn't the right thing to do be to leave the ruins to themselves and not dig up the belongings of the decimated people - i.e. let them rest in peace?
Anyway, I was sorely disappointed. I gave The Professor's House one star more than it deserves only because My Antonia deserves six.
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