by Nicholas Ganz, Nancy MacDonald
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Product Description
From the author of the enormously successful Graffiti World comes this spectacular follow-up, celebrating the contributions of women to contemporary graffiti and street art.
Female writers have always been in the vanguard of the graffiti movement, though often shunted to the sidelines by their male counterparts. This exhaustive volume places them front and center, featuring 1,000 full-color illustrations from some of the world’s most prominent artists, including Brazil’s Nina, Japan’s Sasu, Mexico’s Peste, and the Americans Lady Pink, Swoon, and Miss 17. Two eight-page fold-out collages, a fold-out poster jacket, and an authoritative text round out the impressive package. The first and only comprehensive survey of its kind, this book is sure to attract and expand upon the wide and enthusiastic readership that made Graffiti World such a runaway success.
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Average Customer Review:
0 of 0 people found the following review helpful:
 This is art!, 2008-07-20
A must have for any art lover! If you are interested I recommend you to start first with the "Graffiti World: Street Art From Five Continents" book from the same author.
3 of 3 people found the following review helpful:
Skip Louis Bou - This is the book you want!!!!, 2008-02-22
Street artist/fine artist Nicholas Ganz, author of Graffiti World, offers urban art enthusiasts a second round of exceptional research and art compilation, this time concentrating on the pioneering contributions of women to contemporary graffiti writing and artwork. Having always been a part of the street art front lines, female graffitisans are typically overshadowed by the men in the ranks due to sheer numbers rather than any lack of innovation or talent. Ganz, along with author Nancy Macdonald and co-conspirator Swoon have produced an exhaustive narrative that tells the intricate story of graffiti writing women. Included are the artist's personal stories and their insights into the male-dominated urban art world.
The Ganz collection, like his earlier work, promotes the efforts of praiseworthy, marginalized artists. In the case of Graffiti World that marginalization occurred as a result of the art form itself. In Graffiti Women, it's not the "second-best", urban artist that is lauded but the women who are graffiti writers that receive the exhaustive and well-deserved coverage. Although the author's intent is not to be divisive, it is unfortunate that our cultural approach to acknowledging one another centers around labeling people as either "blank" or "female blank". In Three Artists: (Three Women), Anne Middleton wrote:
To identify an artist this way, as a woman, has never been a merely parenthetical remark. The qualification has customarily been offered as a limit to, rather than a guarantee of, suitability for the artist's role - with mostly irritating results for the artists themselves. (2)
Nicholas Ganz does a unparalleled job of describing the contribution of almost two hundred women who work in the urban art genre. His book will continue as a permanent part of my small but well-loved collection and I will continue to wonder whether the world is best served by keeping the commendation of exemplary women separate from that of men.
0 of 1 people found the following review helpful:
 great chronicle , 2007-10-08
This is just like graff world book, chronicling the movement into other areas of the world. This is the same, but for women in graff.
1 of 1 people found the following review helpful:
Graff at its Best, 2007-07-16
Graffiti Women is a great book for either the collector, or the first time buyer of street art, also this edition comes with a dust jacket that is also a fold-out poster of art within the book!
Never before has there been a better compiled book on Women artists from right around the world, also includes background and history of Artists.
3 of 5 people found the following review helpful:
Great Book! Beautiful Artwork!, 2007-06-12
Great pics of graffiti by women. Bought as gift for my son and he LOVES this book...says every time he looks at it he sees something new. Can't put it down.
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