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Product Description
Best known for his elaborately choreographed, large-scale photographs, Gregory Crewdson is one of the most exciting and important artists working today. The images that comprise Crewdson’s new series, “Beneath the Roses,” take place in the homes, streets, and forests of unnamed small towns. The photographs portray emotionally charged moments of seemingly ordinary individuals caught in ambiguous and often disquieting circumstances. Both epic in scale and intimate in scope, these visually breathtaking photographs blur the distinctions between cinema and photography, reality and fantasy, what has happened and what is to come.
Beneath the Roses features an essay by acclaimed fiction writer Russell Banks, as well as many never-before-seen photographs, including production stills, lighting charts, sketches, and architectural plans, that serve as a window into Crewdson’s working process. The book is published to coincide with exhibitions in New York, London, and Los Angeles.
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Average Customer Review:
0 of 0 people found the following review helpful:
 Amazing atmosphere, 2008-09-08
This book is amazing. Our curriculum requires to discuss the work of Gregory Crewdson and I ordered this collection without really knowing what to expect. The photos transport a nightmarish and cheerless/gloomy atmosphere- an impressive work of art. Bonus: At the end of the book the reader gets an insight of how the work is done (sketches, details about the technique, etc.). I warmly recommend this piece of art to all people who are interested in photography, art, the movies or/and interesting personalities.
0 of 0 people found the following review helpful:
 thought provoking, 2008-07-31
shows a spectacular level of creativity, not only from crewsdon himself but to all the other faces behind the scenes, that it surely takes, in order to pull off this type of procuction. like living stage sets, with nature and light used to such surreal advantage.
0 of 0 people found the following review helpful:
Truly an amazing book, 2008-07-15
Beneath The Roses
I saw a couple of pictures in Beneath the Roses and had to own it. I have never spent longer on a picture book, savoring four or five pictures for several days before moving on to the next batch. Readers (readers?) in the northeast will find themselves going "I know that street!". I have no idea why I found the pictures so fascinating but I surely did. I kept staring at them wondering "What is going on here?" and never figuring it out. Find this book. Look at two pictures. If you like them - buy the book! By the way, the production is great. Heavy paper and no centerfold breaks in the pictures.
2 of 3 people found the following review helpful:
Some Amazing Exterior Work, 2008-04-22
In his opening essay of this volume of photographs, Russell Banks describes the cinematic qualities of Crewdson's work; in particular, how "the pictures are assembled and staged." Though not necessarily immediately obvious in all of the individual pictures, after looking for awhile the viewer does begin to recognize the artificiality of the moments. This is not necessarily a bad thing, however. In many cases, particularly when the setting is an exterior, it works very well. The eye searches out the odd detail in the landscape. In the interiors, however, it seems to work less well. In these, the overall effect seems to be oddity and garishness.
More interesting is the theme of isolation that runs through these photos. Even in the shots where more than one person is present, each seems trapped inside their own space. Raised to an even higher degree in some of the wide exteriors, you end up searching out the individual who is nearly swallowed up by the rest of the picture. Perhaps it is that very searching quality required by some of the photographs that makes them the most moving of the group.
When I first received this book, I wasn't sure if I would like it. I was first put off by the unwieldiness of its size--bigger than a normal volume and wider than it is high. As I looked through the photographs and grew to like many of them, I realized the importance of the book's size and shape--to take advantage of the movie aspect ratio Crewdson uses as well as the need for as much space as possible in his wide, detailed exterior shots.
In fact, I went to see a gallery presentation of some of the photographs in this volume. The prints hanging on the wall were large, perhaps six feet or more wide, which I thought did much better justice to Crewdson's work. I found this experience to be of great benefit. When I came home and looked through the book again, I was moved to look even more closely at some of the pictures, seeking out that isolation and detail.
Still, as I said, I think Crewdson's work is uneven. The exteriors, for the most part, greatly outdo the interiors and there is a tendency towards a garishness I don't like in some of his work. However, when he hits the right notes, his landscapes are as beautiful and interesting as anything I've seen.
5 of 8 people found the following review helpful:
DO NOT BUY FINE ART BOOKS FROM AMAZON!!, 2008-04-21
The book is fantastic! However to my horror it was packed very badly and the book arrived scratched and a big chunk taken out of the cover. Amazon expects me to pay for all shipping costs to get a refund. Since I live in Australia the return shipping would surpass the value of the books sent. I emailed Amazon with this issue 2 weeks ago and NO REPLY!
DO NOT BUY FINE ART BOOKS FROM AMAZON!!
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