by Donald C. Farber, Paul A. Baumgarten, Mark Fleischer
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Product Description
The original edition of this book, long out of print, was published almost 30 years ago. The decades since then have brought enormous changes to the business side of moviemaking, requiring that this new edition be totally rewritten. This is, then, a brand new book and one that has been most eagerly awaited. In it, three experts in entertainment law carefully explain the complex procedures involved in bringing film to the screen, from acquiring rights and financing, to negotiating workable agreements with artists and craftspeople, to distributing and exhibiting the finished motion picture. Clear, concise and–above all–authoritative, this book cuts a pathway through a jungle and is an essential reference for the teacher of film, the independent producer, the would-be filmmaker, and anyone interested in the business of making movies.
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Average Customer Review:
0 of 0 people found the following review helpful:
Good First Book for Entertainment Law, 2008-03-25
Great source for beginners and no law students in the basic aspects and concepts of law and regulations in the entertainment industry.
3 of 5 people found the following review helpful:
 Not ground breaking, 2007-03-12
Although this book is not ground breaking, it gives a filmmaker/producer a good understanding of how to go about in the business of film.
7 of 9 people found the following review helpful:
A must for first time producers, 2006-09-04
Being a first-time independent producer I had little knowledge of all the legal elements involved in movie deal making. I must say that even though at first this book was a little difficult to understand, given the nature of some legal terms used, it has been essential to get a clear picture of everything that must be covered to ensure proper production, financing and distribution of any film project.
The book doesn't go into detailed forms or explanations of complex contracts. It does, however, highlight the most important points of views on both sides of the negotiating table so you're better prepared when taking part either one. Furthermore, there are basic rules of thumb that will allow you to understand key business aspects and demand more from your legal advisors when making contracts for the entire production process (from development through distribution).
I went on to buy "The Independent Film Producer's Survival Guide" to analyze specific forms and contracts and other legal elements in further detail, but this book is definitely the starting point!!
41 of 46 people found the following review helpful:
A realisticly insightful literature for producing movies, 2001-03-23
There are so many film programs in the country but hardly any that provide the insight into the finance and legalities of the industry. Being a fresh graduate, I my self faced this problem. This book however, is a problem solver. Baumgarten's, Farber's and Fleischer's approach towards the business aspects of filmmaking is an insightful one and it provides vital information, especially for those who are just about to get their feet wet. I highly recommend this book to all the film students and especially to those who are concentrating in producing and directing.
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