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Ephemeral Bodies: Wax Sculpture and the Human Figure (Getty)
by Whitney Davis, Georges Didi-Huberman, Sharon Hecker, Uta Kornmeier, Joan B. Landes, Lyle Massey
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Product Description
The material history of wax is a history of disappearance--wax melts, liquefies, evaporates, and undergoes innumerable mutations. Wax is tactile, ambiguous, and mesmerizing, confounding viewers and scholars alike. It can approximate flesh with astonishing realism and has been used to create uncanny human simulacra since ancient times--from phallic amulets offered to heal distressing conditions and life-size votive images crammed inside candlelit churches by the faithful, to exquisitely detailed anatomical specimens used for training doctors and Medardo Rosso's "melting" portraits.
The critical history of wax, however, is fraught with gaps and controversies. After Giorgio Vasari, the subject of wax sculpture was abandoned by art historians; in the twentieth century it once again sparked intellectual interest, only soon to vanish. The authors of the eight essays in Ephemeral Bodies--including the first English translation of Julius von Schlosser's seminal "History of Portraiture in Wax" (1910-11)--break new ground as they explore wax reproductions of the body or body parts and assess their conceptual ambiguity, material impermanence, and implications for the history of Western art.
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The Color of Life: Polychromy in Sculpture from Antiquity to the Present
Madame Tussaud and the History of Waxworks
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Bernini and the Birth of Baroque Portrait Sculpture
The Blind Spot: An Essay on the Relations between Painting and Sculpture in the Modern Age
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