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The Cultural Front: The Laboring of American Culture in the Twentieth Century (The Haymarket Series)

by Michael Denning

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Editorial Reviews
Product Description
Encompassing the likes of Orson Welles, Billie Holliday, Duke Ellington, C.L.R. James, and John Dos Passos, THE CULTURAL FRONT is a vivid mural of an extraordinary upheaval in American culture. Michael Denning illuminates the radical movement of artists and intellectuals, activists and workers, which strove to create a genuinely democratic popular culture during the 1930s. 16 photos.

Amazon.com Review
The Popular Front, a momentous groundswell of social activism during the Great Depression, was marked by activism among creative artists of all types that called attention to both the ends and the means of the production of art. Later historians would dismiss the socialist and communist elements of this cultural movement as minor sidelines of little if any significance. But, writes historian Michael Denning, "just as the radical movements of abolition, utopian socialism, and women's rights sparked the antebellum American Renaissance, so the communisms of the depression triggered a deep and lasting transformation of American modernism and mass culture, what I will call the laboring of American culture."

Although the early portions of the book, which establish the historical and social contexts of the Popular Front, are interesting, readers may likely find most fascinating the later chapters on some of the artists who took part in the movement, including Billie Holiday, who first began singing "Strange Fruit" at a left-wing cabaret, Duke Ellington, and John Dos Passos. His essay on the antifascist crusading of Orson Welles--"the American Brecht, the single most important Popular Front artist in theater, radio, and film"--is particularly insightful. Like Ann Douglas's Terrible Honesty, The Cultural Front is a panoramic history that brings vibrancy and passion to the telling of American culture. --Ron Hogan


All Customer Reviews
Average Customer Review:5 out of 5 stars
4 of 4 people found the following review helpful:

5 out of 5 starsExcelente, 2007-01-09
Un maravilloso libro que refiere lo que no sólo es una contextualización sociocultural de las luchas sociales, sino sobre todo "el otro frente", el que se dirime en las trincheras de la geografía cultural, de la mano de las luchas laborales. No es un mero contexto, sino una lucha en sentido propio, con tanta o más incidencia sobre las subjetividades que la lucha socio-laboral. A tal punto meritoria como centro de atención específico de la genealogía de un proceso de antagonismo social, que incluso sus propios protagonistas se erigen en genuinos héroes de la lucha por la emancipación y la autonomía, aunque hayan pasado a la posteridad -cuando tuvieron la fortuna de hacerlo- como meros "artistas". Mucho que aprender tenemos las generaciones actuales tanto de la articulación de luchas globales que atraviesan todo la fenomenología social, como de la absoluta trascendencia de ese "frente cultural".


19 of 19 people found the following review helpful:

5 out of 5 starsTrenchant analysis of the leftist movement between the wars., 1999-09-03
Denning's examination of the leftist, socialist, proletarian, avant-garde,CIO amalgamation in the era between the wars is an extremely informative analysis of the labor-based reaction to post-World War I's economic, political and social,development. Derailing the myth that much of the movement was communist based or inspired, Denning instead argues that the uniting of a variety of movements in the arts, politics, intellectual circles, and mass media illustrated the country's increasing interest in redefining the American dream as it applied to the lower and middle classes. His trenchant analysis is bolstered by a hostof references and examples, unearthing mounds of literary, artistic, governmental and social works that--though forgotten today--were hallmarks of the era. Ultimately, Denning is able to explain how America's shift to the left eventually gave way to a dialectic shift back to the right after World War II as the country's interest in promoting business and mass production overrode its desire to bring civil and economic liberties to all. I have yet to read any book that as thoroughly and convincingly documents this time period's absorption with mass culture.




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