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Album Description
The master of the Fender Telecaster, the late Roy Buchanan is commemorated on a archival CD release by Powerhouse Records. The CD, titled Roy Buchanan: American Axe Live in 1974, features highlights from two searing club sets Buchanan played over 30 years ago. All the material is previously unreleased. The music on this hour-long disc reveals Roy Buchanan at the height of his awe-inspiring powers, delivering soulful ballads, wrenching blues, and raw rock 'n roll for the small club audiences he preferred. Devotees of blues, rock, country, and jazz will find here the tone, technique and emotive power of a masterful performer whose work still overshadows those he influenced. It's clear from these recordings why guitarists and music industry insiders from the 1950's to this day include Buchanan among a handful of the most original and influential players. The CD's set list includes Buchanan classics such as "The Messiah Will Come Again" (a first-ever live version), his siganture "Roy's Bluz", "Hey Joe" (a tribute to Jimi Hendrix) and the hypnotic lament "Sweet Dreams". The balance of songs draws on classics from the golden age of American popular music, including "C.C. Ryder", "I Hear You Knockin'", Get Out Of My Life, Woman", and "Further On Up The Road", delivered in Buchanan's trademark fashion, seductive yet riveting, grooving and explosive. Phil Carson, author of the book Roy Buchanan: American Axe
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Average Customer Review:
0 of 0 people found the following review helpful:
 5 stars if not for sound issues, 2008-11-18
Recorded at least partly at a Denver nightclub that no longer exists called Ebbets Field in 1974, Roy felt more at ease playing to small crowds which he could interact with and feel a part of. You can really feel the fun and the joy he was feeling by listening to him play on this cd. He was probably at his peak of "popularity" at around this time and the kinetic energy between audience and performer is apparent, driven by a spirited, rousing performance by Roy and his band. However, I have to dock it a point for sound quality. The constant buzzing from an amplifier throughout the recording, especially during the quieter moments, mars an otherwise brilliant recording of a sterling performance by the Telecaster Master. With that in mind, I'd have to recommend "Live Stock" over this which was recorded around the same time, although I wouldn't discourage anyone from buying this as the sound is clear - if you can ignore the amp buzz and just enjoy it for RB's guitar work (like I have)then there should be no problem.
On the other hand, you get more bang for your buck with "American Axe: Live in 1974" (as opposed to "Live Stock") as this is much longer and includes the Buchanan staples "The Messiah" & "Sweet Dreams" that are not on "Live Stock". The highlights here for me are the incendiary "Roy's Blues" (sounds almost entirely different from the "Live Stock" version), the moody "Hey Joe" (Roy's deadpan southern drawl on this is effectively menacing), the r&b cover "Get Out of My Life Woman", a stirring performance of "The Messiah" and the closer "Sweet Dreams" played as sweetly & melliflously as he ever could, as the great one quietly took his exit and left the crowd stunned and begging for more.
The band here is the same as on "Live Stock" and provide perfect support for RB, in particular Malcolm Lukens on the Hammond B3 who provides the perfect enhancement to the master's soulful performance. Unfortunately, Billy Price is not on hand for lead vocals, so the band members trade off with uneven results. So even though the sound quality is not comparable to "Live Stock" I would recommend this for the performance alone, especially to Roy Buchanan fans. I'd also recommend the Roy Buchanan biography "American Axe" written by Phil Carson. It is a brilliant piece of work.
0 of 0 people found the following review helpful:
American Axe: Live in 1974, my review from Barcelona, 2007-08-31
It is really impressive to listen to this wonderful 'American Axe-Live in 1974', by Roy Buchanan, one of the best Blues-Rock guitarists of all times (in my opinion the best). All themes are five stars high, the stunning versions of the self penned "Roy' s Bluz", the traditional "C.C. Rider", "Done your daddy dirty" and Billy Roberts' s "Hey Joe" deserve special attention and they alone are worth the price you have paid for the record.
I have only a single complaint and this is that a few tunes sound as if they were recorded with a hand held recorder from the third row, which is not fit for a record of this quality. Buchanan's 'LIVE STOCK' recorded live about the same time period has a much better sound.
All in all this is a fantastic record of this so personal BUCHANAN's kind of Blues, that could be characterized as a hybrid of the most innovative styles of the years 1970' s and 1980's, and displays amazing harmonic rhythms and solos with plenty of feeling. I recommend it highly not only for blues lovers but also to anyone who loves good music in general. I give it 4 stars and not 5 because of the sound.
1 of 0 people found the following review helpful:
 Talent, Soul, and Heart, 2007-03-19
During the brief time spent on this planet, Roy Buchanan played to a small cult of diehard blues fans and serious guitar students.
That was it.
Everyday day now, more and more people are "discovering" Roy and wishing they could have been there.
2 of 3 people found the following review helpful:
Solid guitar licks.Sound quality on some songs are raw., 2007-03-14
The first song really rocks,its the best on the cd and there are three other songs that are heavy rockers too.
However, the only problem I have with the cd is that a few tunes sound like they were taped from a hand held recorder in the third row.
Almost like it was a bootleg tape.
Other then that small problem it's a cd I've played again and again.
After all, Buchanan is one of the top ten best guitar players ever!!!!!
11 of 14 people found the following review helpful:
Mott's American Axe, 2006-08-04
If you had to make up a list of the top 5 most technically brilliant and influential guitarist in the world of rock music, it would be a very hard job and one that would be open to a mountain of debate . But if pushed in no particular order I would come up with Jimi Hendrix, Eric Clapton, Jeff Beck, Buddy Guy, and Roy Buchanan. If you were just going for influence then a few more names would have to come into the frame ,Robert Johnson,Chuck Berry, Keith Richards, Jimmy Page,even the likes of Toni Iommi and all would come in. For just plain technique some of the new guys would have a say Satriani, Vai or Stevie Ray Vaughn would have a shout, and more than a handful of votes. But to combine the two I would have to stick to my original five. Now three of those might be up to negotiation,but not Jimi or Roy.
We all know Jimi Hendrix , the man was a genius, no question there,changed the way people played the six string, what a showman too, setting fire to his guitar, playing with his teeth etc.He wrote songs that will remain classics until we blow up this little planet of ours. Jimi Hendrix was the male sex symbol of his time to boot, liked by all who met him. The man had everything except for enough real friends to keep him alive. If a star ever burnt brighter as it raced across the sky before crashing to earth ,the earth would not have stood it.
If Roy Buchanan stood at those crossroads with the devil to make a deal , he did not make as good a deal as Jimi did. Oh sure he could play guitar ,by the time he was twelve there was nobody that could touch him. But he certainly never got the looks, stage charisma, writing ability, or the ability to get along with people. If you were a friend of Roy Buchanan you had a loyal friend but if you crossed the man, real or imagined you were written out of the book. Throughout his career he had a reputation as being difficult to get along with ,how much of this was deserved is up to conjecture, but certainly his relationship with Jack Daniels ,does not seemed to have helped matters.Roy Buchanan was found dead in a police cell in his hometown of Reston Virginia, he had been arrested for being drunk and disorderly,and later found dead, the circumstances were considered very suspicious, but like a lot of things will remain a mystery.
But at the end of the day it is the music that counts ,and when Roy Buchanan picked up a guitar he could make it dance ,sing, or anything.'American Axe' is a fine example of Roy Buchanan live on stage . Backed by friends who were also all superb musicians ( He could not have been all bad) .These recordings are all gems and give you a fair idea of what the man must of been like in concert. The show opens up with the MC introducing Roy Buchanan as the best guitarist to have stepped the boards, and Roy gets up there to prove the guy right.
The band stretch out on opening song 'Too Many Drivers' in similar style to the way the Rolling Stones would open with ' Jumpin' Jack Flash' just loosening up the band , the rhythm section slips into its groove , and Malcolm Lukens even gets to put in a short solo just to get his fingers going ,before the governor comes in with the first of many guitar breaks that lift the roof off the place. A good place to start , preparing you for what is to come .
Next up is Roy Buchanan's own 'Roy's Bluz' a walkin',talkin' blues , allowing Roy to rap about how he feels , before hitting out at the audience with some sparkling stun guitar .At nearly nine minutes long Roy Buchanan has plenty of time to tell you what he thinks , and to stun the audience with his guitar, and when he calls out " When I get to hell" with such certainty, the guitar licks that follow it send shivers up and down your arms.' Get Out Of My Life, Woman' is the band giving the blues groove a seventies feel, the only song on the album that is to be more dominated by the keyboards than the guitar, the problem with this band was that they did not have a really talented vocalist amongst them all. As well as the keyboards Malcolm Lukens gets his turn to sing on this number , and while it is not a bad job, you really paid your money to hear Roy Buchanan play guitar.
'C.C. Rider' is then trundled out for a ten minute workout , where we the paying audience start to get what we paid for Roy Buchanan playing guitar, and although the inclusion of so many covers does show up the weakness in Roy Buchanan's song writing abilities , the old chestnut is turned on its head and the guitarist devours it , taking it from a slow blues to a rip roarin' climax.To bring the emotion level down , but the tempo up we are then treated to quick romp through Dave Bartholomew's 'I Hear You Knockin' . Then it is back to the serious business with ' The Messiah Will Come Again' which is begun by a sombre Roy Buchanan with a spoken introduction,before playing some of the most dramatic guitar on the album, making every note count showing it is not what you play but ,how you play it, a fine centrepiece to the album. On 'Done Your Daddy Dirty' Roy Buchanan turns the tables by reverting to the old adage if you have got it flaunt it , just ripping up the rule book, and shredding his guitar strings for seven solid minutes, by which time the band have given up any hope of keeping up with him, and you feel they would rather just sit back and applaud. This is what Deep Purple, and Led Zeppelin wanted to sound like.
How could Roy Buchanan possibly mess this up by next playing 'Hey Joe'? Well he does , the guitar playing as you would expect is straight out of the top drawer and a fine example to any budding young guitarist. But the vocals are appalling, weak at best, with Roy Buchanan sounding as if he was standing six feet from the microphone. When Jimi Hendrix did Billy Roberts song he sounds as though he means every word of the lyrics, you knew that Jimi was going to shoot his old lady down, here it sounds if the lyrics are being read from a book . The guitar playing is outstanding though, with a nice touch at the end when the band break into a refrain of 'Foxy Lady' to bring the song to a rockin' end with a nice nod to his fallen comrade.
Perhaps wisely bass player John Harrison then gets his turn at the vocals , as the band thunder through 'Johnny B. Goode' . No complaints here for this , and it is interesting to notice the different way that Buchanan and Hendrix, handled covering these two songs , both differently, but also brilliantly,hard to say who comes out on top in the guitar playing stakes. By now the band are really enjoying themselves and have a party playing ' Further On Up The Road' with Byrd Foster huffing and puffing behind his drum kit as he handles the vocal duties.
To close the show Roy Buchanan dismantles and then puts back together Don Gibson's 'Sweet Dreams', when people say they heard a guitar sing this is the sort of thing they were talking about.A stunning way to bring the show to it's conclusion.Later Mick Ronson would play his own version of this as the centrepiece to his solo spot whilst touring with Ian Hunter.
If anyone disagrees with my assessment of the worlds most influential and technical top 5 guitarists have a listen to 'American Axe ' and it may well change your mind.
Mott the Dog.
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